Tuesday, 24 August 2021

Opening up (one step at a time)


TW- Mention of domestic abuse


I’m very excited about this post as it’s about ‘Waitress’, which is one of my very favourite if not my favourite musical of all time. I was lucky enough to see it in London two years ago with one of my very favourite people, my amazing best friend Rebecca when we went on a trip to London when Mum’s friend, Hawise, was kind enough to let us stay with her. 

‘Waitress’ premiered in 2016 and it was based on the 2007 Adrienne Shelley film of the same name, which isn’t a musical. The book for the musical was written by Jessie Nelson and the music was written by the very talented singer-songwriter Sara Bareilles, who’s known for songs like ‘Love Song’ and ‘Brave’. It’s no surprise then that the musical has some amazing songs, such as ‘Opening up’, ‘She used to be mine’ and ‘A soft place to land’. Sara Bareilles has even played the role of Jenna on Broadway and American actor and singer, Katharine McPhee, who’s been on ‘American Idol’, ‘Smash’ and ‘Scorpion’, played Jenna in London. Although, it was actually the very talented Lucie Jones who played her when we went to see ‘Waitress’.

The story is about a small town waitress named Jenna, who’s a creative pie genius who feels stuck in her marriage with her abusive husband, Earl. When she becomes pregnant with his child, she feels even more trapped and alone but ends up developing a deep connection with the kind gynaecologist, Dr Pomatter, which turns into a passionate affair. While there are heartfelt and comedic moments in the show, difficult subjects such as isolation, infidelity and domestic abuse are explored quite a bit in the musical too as Jenna references her late mother and how she taught her to love baking and it’s heavily implied that Jenna’s father was abusive towards her mother. 

Throughout the musical, Jenna is shown using baking and ideas for different pies as a way to deal with and work through difficult emotions and situations and as a way to process and to consider how she really feels about her situation and the people in her life. To begin with, she seems to be using her creative baking skills as a way to escape or not deal with her problems and feelings but as the show progresses, she begins using it as a kind of muse or ‘eureka’ moment to figure things out and express herself when she doesn’t know how to any other way.

While there are certain ethical questions about infidelity and getting involved with your doctor, especially as Dr Pomatter is also married (to a fellow doctor), the musical makes a point of showing you how awful and controlling Jenna’s husband is and because of this, you just want her to get away from him no matter what. The bond between Jenna and her doctor is actually quite a sweet one, as while it initially seems like it might more to do with physical attraction or Jenna’s unhappiness, they do have a genuine connection. For instance, they help and support each other and are there for each other in ways that other people haven’t been. Even though they don’t end up together and Jenna raises her child as a single mother (spoiler, sorry), it’s clear that they’ll never forget the other and will remember them fondly because of their genuine friendship and the positive impact they had on the other and the way that they made their lives better without even realising it. The part when Jenna gives birth to her daughter, Lulu, and sings about how becoming a mother has changed everything about her outlook on life (with a song appropriately titled ‘Everything changes’) is super moving and beautiful as her love for her daughter is instantaneous and unconditional. It’s also extra heartfelt as you know that little Lulu will reciprocate that love and be inspired by Jenna just like Jenna was by her mother.

Thanks so much for reading, I hope you enjoyed it and I hope that you know that, as the song ‘You matter to me’ portrays, no matter what happens or how hard things get, you matter more than you realise and you matter to the people in your life more than you know.






Tuesday, 3 August 2021

Opsoc- At the heart of my uni experience


This next post is about something that’s incredibly special to me, which is Opsoc, the musical theatre society at Dundee Uni. Opsoc has existed for over fifty years now and was actually a big part of why I decided to apply to and ultimately come to Dundee Uni as we heard part of an Opsoc performance at a Dundee open day. Everyone in the society is so incredibly kind, sweet and welcoming and friendly and there isn’t a mean bone in the whole society (which is pretty much the case with the Turner Syndrome Support Group and the ‘Brooklyn 99’ fandom- I’ve been very fortunate to get involved in groups with some of the loveliest people that you’ll ever meet.) 


When I started as a first year newbie in Opsoc in 2018, my first Opsoc show was our weekend show in September 2018. The weekend show is a tradition for the very beginning of the semester and is almost like an even more intensive summer school as it involves rehearsing and putting together an entire show in less than a week, which is full on but a lot of fun as we sometimes perform student written shows and get together for pizza and movie nights. When I first joined Opsoc, it had been a while since I’d been on stage as I’d been in a lot of shows throughout my time at school but in the last year of high school, I had an operation and final exams so didn’t do as much performing. This meant that it was so amazing to be back with fellow theatre kids, doing what I've always loved (and it just felt right as well as I'd always spent so much time on stage), especially in such a lovely, supportive environment, as theatre is super important to me and is something that continues to make my heart very happy (just like Opsoc does). Quite a lot happened in that first year too, as Opsoc are a very active society. We had a Halloween themed rehearsal and initiations that autumn for example, an acoustic concert in November and in December, we went carolling and had a Christmas concert (a personal favourite tradition) as well as our mono concert at the union in January 2019, all while working towards our main show in March. The first main show that I took part in was a pop/rock/punk musical called ‘Loserville’, which we did in March 2019. The music for the show was written by James Bourne (who was in Busted) and Elliot Davis and was based on the album, ‘Welcome to Loserville’ by Son of Dork, the band that Bourne joined after Busted. The musical’s set in 1971 and talks about the characters sending the first email and makes little references about some aspects of ‘Star Wars’ were created, as well as dealing with high school teenage relationships, parties, love triangles and cliques. In March 2020, we did ‘Legally Blonde’ as our main show and while it’s not my favourite musical, the songs were super catchy* and it’s definitely my favourite main show that I’ve been involved in as every Opsoc event or show is amazing because of the heart, joy and kindness of everyone in the society and how hard everyone works. Also, as Elle, the protagonist of ‘Legally Blonde’ and her friend, Paulette, both have dogs, we got to spend time with the adorable pups who played those roles to perfection (pawfection-sorry) in the show, which was lovely. 

 

Unfortunately, with COVID, it’s been a long time since we’ve been able to all meet up in person but it’s been so incredible that we’ve still got to feel that we’re part of an active society as we’ve done several online concerts throughout 2020 and 2021, including ‘Made in Dagenham’, which was our main show for this year. I’m very grateful to everyone who I’ve met through Opsoc, as you could not find a kinder, more wholesome or supportive society and while I like my course, Opsoc has made my uni experience so much better than it could have been. Even if I’ve not been the most successful in some ways as I’ve not made a stand-out, obvious best friend or been the lead in a show, I hope people know how much this society’s meant to me and to so many others and it’ll always have such a special place in my heart. Next year’s show will be so good. 😊 

Lots of love to our 2021 leavers, we’ll miss you so much as you’re all amazing <3. 


*The 'Legally Blonde' musical was written by Heather Hach, Laurence O’Keefe and Nell Benjamin


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